Who is the leader of contemporary Chinese art?

An indisputable leader in Chinese contemporary conceptual art, Huang’s works were extremely avant-garde and he was known to use elements such as live animals in installations.

What comes to mind when I think of Chinese art?

When one thinks about Chinese Art, what usually comes to mind is not contemporary. Conversely, when one thinks about contemporary art, they aren’t usually picturing Chinese artists.

What kind of art did Fan Zeng do?

Fan Zeng was a traditional Chinese painter. Famous for his figure paintings, he incorporates the simplicity of lines and descriptive brushstrokes to imbue energy and life into the characters he illustrates.

Is it possible to authenticate a Chinese painting?

‘There are no short cuts to authenticating,’ she says. ‘It requires a great deal of time and study, and it is still largely subjective.’ Although classical paintings are highly treasured, the easiest approach, Hammer says, is to acquire a traditional Chinese painting that has a direct connection to the artist who made it.

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‎Painting Hits of Modern Chinese Masters on the App Store

2 hours ago Feb 13, 2014 . Download Painting Hits of Modern Chinese Masters and enjoy it on your iPhone, iPad, and iPod touch. ‎This is the best collection of 10 greatest and best-known Chinese painting masters of the 20th century. If you are a fan of Chinese paintings, you'll love this app.

10 Greatest Chinese Artists And Their Famous Paintings

1 hours ago Oct 07, 2014 . There have been many great painters in the rich history of Chinese art from as early as the third century to the modern era. Chinese art is most famous for landscape painting and some of the greatest landscape masterpieces have been painted by Chinese artists. The period of the Five Dynasties to Northern Song (907–1127) is considered as the ...

15 Contemporary Chinese Artists You Should Know

11 hours ago

1. Ding Yi 1. Ding Yi Based in Shanghai, is best known for his meticulous geometric paintings. These , mechanical and minimal in appearance, call to mind the rapid industrialization of China and the proliferation of mass production. Though the forms that make up his paintings tend to feel unnatural and harsh, they also call to mind the otherwise organic calligraphic forms of Chinese writing. Despite their mass-produced appearance, there is a zen-like quality to the way that Ding Yi insists on painting his forms by hand. While his distinctive “crosses” began using rulers and other tools to assist in painting his precise straight lines, over time he began to freehand the marks, lending a much looser visual appearance to his forms. : Ding Yi, Appearance of Crosses 2015-B23, , HKD 380000 (April 1, 2018)
2. Su Xiaobai 2. Su Xiaobai started off as a social realist painter, before slowly moving towards abstraction after his exposure to Western art in his studies in Germany. Eventually, most of his paintings would be reduced to simple abstract lacquer objects. Su Xiaobai primarily focuses on form, color, and surface quality. By using lacquer, he pays deference to the long history of the finish as an artistic medium in Chinese culture. Through his mastery of the medium, he is able to achieve a translucent quality to his paintings that lend them to meditation and contemplation. : A Su Xiaobai piece inscribed with a line of a poem by the Tang poet Du Fu, estimated €3,000 – €4,000 via , Köln, Germany (December 5, 2014)
3. Wang Guangle 3. Wang Guangle One of the recognized pioneers of Chinese abstract paintings, breaking away from the Chinese representational tradition, uses paint to conceptualize subjects such as time. His use of color, uniform brushstrokes, and gradation give his large canvases a pulsating aura that alludes to ritualistic spirituality. While some of his work is monochromatic, his works from 2018 implement two colors—one that starts on the outer edge and slowly works its way towards the center of the canvas and gives way to the second which grows in luminosity, similar to the effect of a . : Wang Guangle, acrylic on canvas, signed in Chinese and dated, HKD2,375,000, Sotheby’s (October 1, 2017)
4. Huang Yuxing 4. Huang Yuxing is a representational artist who is known for using bright, saturated, fantastical colors to depict landscapes and figures. Though traditional Chinese motifs like trees and mountains can be recognized within his canvases, the depictions of these subjects are far from realistic. The colors that compose Huang Yuxing’s paintings create scenes of the world that border on psychedelic hallucinatory images. The familiar landscapes suddenly feel unfamiliar with the juxtaposition of color, organic shapes, and geometric lines, alluding to the disintegration of the environment due to human impact. Other than environmental impact, Huang also depicts other aspects of the human condition such as fear, anxiety, aging, and death, by utilizing abstract forms and diverse color palettes to allude to emotions. : Huang Yuxing, Ebb and Flow acrylic on canvas, estimated: HKD1,500,000 – HKD2,500,000 via Hong Kong (May 25, 2019)
5. Qiu Zhijie 5. Qiu Zhijie Qiu Zhijie is known for using a large variety of different mediums to produce his conceptual art. From installations, to , to video, to even performance, he merges the recording of process with aesthetic, imbuing his works with sociological, philosophical, and political discourse. In one of his most iconic works, and maybe one of the most well known works in Chinese contemporary art, , he wrote and rewrote text over and over until the writing itself was unrecognizable. His use of Chinese calligraphic text is a repeat theme throughout his oeuvre as he explores the relationship between words and the humans that bear them. Other themes in his works of art are the interplay between behavior and choices, and ultimate destiny, as well as the role of ideology in culture. : Qiu Zhijie, Dictionary Series, Sotheby’s Hong Kong, HKD100,000 (October 1, 2017)
6. Huang Yong Ping 6. Huang Yong Ping works shook the world with his controversial use of medium. An indisputable leader in Chinese contemporary conceptual art, Huang’s works were extremely avant-garde and he was known to use elements such as live animals in installations. He infused many of his ideas about into his art, using and Taoist themes such as attempting to eliminate the “self” by incorporating chance into his process. For example, he would use dice or a roulette wheel to determine his medium for a piece. Though he was born in China, much of Huang Yong Ping’s work was produced in France. It was through working outside of China that his art grew to a grander scale, as many of his works featured political undertones that were frowned upon by the Chinese government. Aware of the stereotypical divide between Eastern and Western culture, he made his doubts clear. Notably, he threw Eastern and Western history books into a laundry machine and displayed the illegible pieces of paper pulp on a pedestal. He certainly did not shy away from controversy, either. Memorably, animal rights activists were up in arms over an installation of his containing amphibians, reptiles, and insects. Meant to depict the human condition and competition for dominance, the artwork was ultimately displayed without the animals due to the complaints. Despite butting heads with governments and other groups, Huang continued to produce provocative artworks until his death at the age of 65. : Huang Yong Ping, Chapeau à huit pattes, mesh hat, acrylic, watercolor, ink, wood and wire birds in 5 parts, estimated: $80,000 – $120,000 via Sotheby’s New York (March 5, 2018)
7. Yang Fudong 7. Yang Fudong Mainly working in film, photography, and installation, transports the viewer into surreal dream-like environments. His films, often slow and non-narrative, incorporate both modern themes as well as reconstructions of historical myths and settings by displaying classical Chinese tropes engaged in contemporary social problems. In incorporating multiple perspectives with no real conclusion, Yang’s works focus on the frailty of the human condition and emotion despite the beautiful idyllic settings he places the subjects in. : Yang Fudong, Ms. Huang at M. last night (Shanghai), 2006, Kunsthaus Lempertz KG, estimated: €2,000 – €2,400 (May 24, 2013) : Yang Fudong, Seven Intellectuals in Bamboo Forest – Part V, Sotheby’s Hong Kong, HKD150000 (April 1, 2018).
8. Zeng Fanzhi 8. Zeng Fanzhi , looking for new ways of expression following China’s Cultural Revolution, was primarily inspired by German Expressionism and French Romanticism. Like many others, he looked to Western art and found ways to deviate from Social Realism which was in vogue in China at the time. Much of his work featured individuals painted with mask-like features – impersonal and void of expression – alluding to his general distaste towards the rapid modernization of China, and a feeling of rejection. His frenzied and expressive brushstrokes allude to the feeling of insecurity that he felt during this time of great cultural change, and his use of muted colors alongside fleshy pinks and reds accentuates his empathy towards human suffering. : Zeng Fanzhi, Sky No.7, 2005 oil on canvas, estimated: AUD920,000 – AUD1,183,000 via Mossgreen Auctions, Armadale, AU(September 17, 2017)
9. Xu Zhen 9. Xu Zhen work in painting, , and video employs humor and critique to create thought provoking art. Some of his sculptures and paintings consist of well known but incongruous cultural iconography, such as voodoo dolls and Greek gods that are pulled together into one setting to comment on globalization. Theatrical and satirical, his work challenges stereotypes, and calls into question social taboos while subverting expectations. In one installation, , he employs performers to pose frozen mid-movement in odd and gravity-defying poses as the audience waits expectantly for them to move. In some of his performances, he’s even been known to call to attention the monotony of the everyday by bursting out screaming in a crowd. : Xu Zhen, Under Heaven, oil on canvas mounted on aluminum board, realized HKD750,000 via Sotheby’s Hong Kong (April 3, 2017)
10. Liu Xiaodong 10. Liu Xiaodong A neo-realist painter that focused on depicting scenes from everyday life without trying to beautify it, is considered one of the most influential painters in contemporary Chinese art. His paintings range from still lives to portraits and . Though painting from the day-to-day, his large brushstrokes threaten abstraction, and his works border between reality and artifice. His spontaneous documentations of people and things en plein air serve as a visual documentation of a world that was rapidly changing, in contrast to the emerging popularity of photographic snapshots. His consideration for his portraits adds a humanizing element, as though he is friends with many of his subjects, he is simultaneously a voyeur. : Liu Xiaodong, Green Pub No.3, sold for HKD225,000 via Sotheby’s Hong Kong (October 3, 2016)
11. Cao Fei 11. Cao Fei In order to explore reality versus fantasy and dream, uses photography, video, and other digital media. Using her past experiences immersed in pop music and youth subcultures, she draws attention to feelings of alienation. By choosing large industrial facilities as the setting for many of her works, while encouraging the individuals within her films to act out their fantasies, Cao Fei draws attention to the stark divide between the mundanity and homogeneity of modern day living and individualism. This reality is further exaggerated by the documentary style of filming in Cao Fei’s film, . By showing people in their natural setting, alongside their fantasy selves in the same setting, Cao Fei is also exploring one of her frequent themes of parallel realities. In her work, utopia and dystopia exist simultaneously. : Cao Fei, City Watcher, sold for £1,375 by Sotheby’s London (November 21, 2017)
12. Zhang Huan 12. Zhang Huan Perhaps one of China’s best known performance/conceptual artists, Zhang Huan’s work consists of not only performance art, but also painting, photography, and sculpture. His performance art often referenced political ideas and involved using his own body, either inflicting harm upon it, painting it, or covering it. His early performances mostly focused on how much bodily discomfort he could endure, but by the time he moved to New York, his focus shifted more towards his own immigration and identity as a Chinese artist in America. In Family Tree, covers his face incrementally with Chinese characters until the calligraphy itself is indiscernible. In more recent years, he has been focusing more on painting, photography, and sculpture, referencing Chinese political and religious histories through iconography like and Chinese or . : Zhang Huan, Felicity No. 2, £55,000 via Sotheby’s London (April 11, 2018)
13. Cui Ruzhuo 13. Cui Ruzhuo Cui Ruzhou uses ink wash to paint beautiful flowers, birds, and landscapes, but though he uses this very traditional Chinese medium, his works are anything but conventional. He was trained as a calligrapher, and in traditional Chinese paintings, but his landscapes are painted with his fingers. Through experimentation and refining his techniques, Cui has elevated finger painting in the art world, offering a contemporary methodology to approaching a very traditional genre of art. : Cui Ruzhou Bamboo, 1982, estimated: $15,000 – $30,000 via (October 7, 2013)
14. Zhang Xiaogang 14. Zhang Xiaogang Primarily in black-and-white, with splashes of color, Zhang Xiaogang’s paintings mostly take the appearance of old family portrait photography, referencing memory and the notion of identity. In his series, “Bloodline: Big Family”, the exaggerated cartoonish, melancholic, and stoic faces of the individuals seem to imply a general collective mass, while the bright pops of red and subtle scars and differences in characteristics appear to represent individuality. This contrast is also seen in his personal life where, as a painter, he was expected to conform to the social realism of the other painters in China at the time. However, even then, he insisted on including emotion-filled marks on his works. : Zhang Xiaogang, Né en 1958 Bloodline: Big Family Series – 2000 Huile sur toile, realized €423,400 via Artcurial, Paris, France (December 3, 2019)
15. Fan Zeng 15. Fan Zeng

Chinese Traditional Painting: What you need to know

7 hours ago Estimate: HK$5,500,000-7,500,000. Offered in Fine Chinese Classical Paintings and Calligraphy on 2 December 2020 at Christie’s in Hong Kong. 6. Visit the paintings in public collections. There’s great value for a collector in building a visual database of various examples.

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Frequently Asked Questions

Who is the leader of contemporary Chinese art?

An indisputable leader in Chinese contemporary conceptual art, Huang’s works were extremely avant-garde and he was known to use elements such as live animals in installations.
What comes to mind when I think of Chinese art?

When one thinks about Chinese Art, what usually comes to mind is not contemporary. Conversely, when one thinks about contemporary art, they aren’t usually picturing Chinese artists.
What kind of art did Fan Zeng do?

Fan Zeng was a traditional Chinese painter. Famous for his figure paintings, he incorporates the simplicity of lines and descriptive brushstrokes to imbue energy and life into the characters he illustrates.
Is it possible to authenticate a Chinese painting?

‘There are no short cuts to authenticating,’ she says. ‘It requires a great deal of time and study, and it is still largely subjective.’ Although classical paintings are highly treasured, the easiest approach, Hammer says, is to acquire a traditional Chinese painting that has a direct connection to the artist who made it.